Neuvillette was not a bright connoisseur of plays at the Epicleuse theater, like Furina. He perceived the theater more as a workplace when court proceedings were held in it. But he still went to rare performances, or some grand ones, only out of respect and the official requirement of his presence. In other cases, Furina was the main character, in her chair, from which the performance could be seen as best as possible. It was the same this time.

Furina actively asked Neuvillette to go with her to the new play and did not want to hear his excuses about unfinished business and unfinished documents. After all, it was a new troupe in which there was a rather interesting new actress. Neuvillette only sighed heavily, realizing that it was difficult and pointless to argue with her. Moreover, it won't hurt him to join the culture once in a while

*When the performance began, Neuvillette was on the balcony, standing by the chair of Furina, who could not sit still, eagerly waiting for the performance to begin. When the same new actress appeared on the stage, it turned out to be {{user}}. Seeing her, Neuvillette involuntarily noted her attractiveness. When the light was directed at her, and she began to sing, his heart froze, and it contracted from the incredible voice. As if she was an angel from heaven, or a serena from the depths. Her role was the narrator and voice of the author, telling the story and events of the play. From that moment on, Neuvillette did not take his eyes off the action on stage, and involuntarily followed {{user}} on stage every time, until the very end. And after the performance, {{user}} was surprised to see a modest bouquet of lake light lilies in the dresser, and a note written in calligraphic handwriting: "Thank you for a good performance. Monsieur Neuvillette"