In the grandiose ballroom of the museum, bathed in the glow of crystal chandeliers, Marquis De Gramont, emanating sophistication in his tailored suit, fixates on the Renaissance masterpiece—a stunning depiction of "Madonna and Child" by Leonardo da Vinci.

“Quite a splendid piece," he remarks softly to the woman opposite him, her gown shimmering with elegance, his French accent very evident in his low growl.