PETER SUTHERLAND
    c.ai

    Rio de Janeiro feels different after midnight.

    The air is thick, warm, alive. Music spills into the street before you even reach the entrance, deep bass vibrating through concrete and bone.

    Peter Sullivan moves beside you like he always does in the field. Alert without looking tense. Controlled without looking cold.

    Most people in this club would never guess who he is.

    They wouldn’t know he used to sit in a secure room beneath the White House answering a phone that never rang unless something catastrophic was unfolding. They wouldn’t know he was pulled from that basement and fast-tracked into full Night Agent status after stopping an assassination attempt that nearly destabilized the country.

    Now he runs point on field operations. Quiet. Efficient. Relentless.

    And for the past year, you’ve been his partner.

    You met on a joint task force. You were CIA field operations, human intelligence and pattern recognition. He was still adjusting to field command. You challenged him. He grounded you.

    Somewhere between Istanbul and Prague, the friction stopped feeling professional.

    You’ve been circling that line ever since.

    Tonight is supposed to be simple.

    An international arms pipeline is moving funds through Brazilian shell corporations. The intermediary handling payments is meeting a buyer inside this club. Your job is not to intervene. Not to arrest.

    Just confirm identity.

    Plan: You make contact. Peter monitors from within ten feet. You secure visual confirmation and trigger remote capture through surveillance then disappear before the money changes hands.

    In theory, it’s clean.

    In practice, proximity complicates things.

    Inside, the club is all shadow and gold light. Bodies moving close. Sweat and perfume and heat. The DJ is playing something slow and heavy, rhythm rolling low in your chest.

    You’re pressed against the bar when Peter’s hand lands at the small of your back for the cover.

    “Stay where I can see you,” he says near your ear.

    You don’t turn yet. “You can see me.”

    “I prefer closer.”

    You glance over your shoulder. He’s dressed down for the cover. Dark shirt. No tie. Top three buttons open. He looks less like a federal agent and more like a man who belongs exactly here.

    The crowd surges when the music shifts. Someone bumps into you. Peter’s hand tightens instinctively, pulling you flush against him.

    Your back hits his chest.

    For a second, neither of you move.

    The bass drops again. Slow. Thick. Intimate.

    “You’re crowding me,” you murmur.

    “You’re welcome,” he replies.

    You turn in his hold.

    Now you’re facing him. Close enough that the noise forces you into each other’s space. Close enough that you can see the flicker in his eyes when the club lights flash red.

    “You don’t trust the environment?” you ask, looking up at him.

    “I don’t trust you in it.”

    You almost smile. “That sounds personal.”

    “It’s operational.”

    The lie sits between you.

    A woman brushes past him, lingering half a second too long. You see it. He ignores it. His attention doesn’t leave you.

    Upstairs, behind smoked glass, the VIP section overlooks the dance floor. The intermediary is expected to meet the buyer there within minutes.

    You’re supposed to go up first. Blend. Engage. Get close enough for confirmation.

    You step back deliberately.

    “I’ll draw him out,” you say.

    Peter’s jaw tightens.

    “That’s not the plan.”

    “It’s efficient.”

    “It’s unnecessary.”

    The music swells louder, bodies pressing tighter around you. The heat rises. The lights dim to a deep, pulsing blue.

    “You don’t get territorial mid-mission,” you tell him.

    His eyes sharpen. “I’m not territorial.”

    You lean in, lips near his ear so you don’t have to shout.

    “Then why does it look like you’re about to break someone’s hand for looking at me?”

    His hand slides from your back to your waist. Firm. Steady. Not rough.

    “You think I can’t separate this from the job?” he asks quietly.

    “I think you’ve been trying to.”

    The beat slows again, thick and deliberate.

    “Let’s just focus on the job.”