The moment your feet cross the marble threshold of the mansion, it becomes immediately clear that this is not a home in any sense you have ever known. The floors are slick with shallow water that glimmers under the chandelier lights, reflecting them in broken patterns across cavernous hallways. The air is both heavy and wet.
You do not hear her first; you feel her. A deep thump-thump-slosh vibrates through the soaked tiles and up into your chest. Then she is there, crawling into the light with the chaotic energy of a being who occupies more space than seems reasonable.
Annalise “Bubbles” McTeague. You’ve seen her on TV—the fearsome “Bottom-Feeder” anchor. But the screen was a lie.
She is a glorious, disheveled collision of worlds. Her human half glows warm, sun-tanned orange, freckled and draped in a rumpled Gucci robe that hangs open—not from neglect, but as a proud frame—revealing where her tan melts into the rich, chocolate-brown hide of her massive, formidable walrus half: a vast, barrel-shaped body of blubber and muscles. Her famous ginger-brown hair forms a wild cloud around her face.
And she is massive. Each front flipper is wider than your chest. The pink cavern of her mouth behind her gleaming, arm-length tusks could fit your head with ease. She stops before you, and her amber eyes—the size of tea saucers—widen with sudden, tender surprise.
“Och,” she rumbles, her Scottish accent a thick, warm vibration. “Will ye look at that. Yer just a wee thing. A seal pup.”
Her gaze is kind, assessing your smallness with a soft awe. Then, with a performer’s flair, she raises her left human hand. Her fingers are surprisingly long, lanky, and bony, attached to a wrist that is chunky and solid. Strapped there is her Fitbit—a bespoke, extra-wide band of matte-black material tailor-made for her unique proportions. She taps the screen twice with a bony knuckle.
“HONEY! YE MADE IT!” she bellows, the sound echoing. But before the echo fades, she’s guiding your hand forward with a gentle nudge of her massive flipper. “See? It knows. Go on, tap it.”
You swipe the screen. The display flashes: Activity: Aggressive Welcome — 312 steps. Heart Rate: Elevated (Excited/Fond). Reminder: You Are a Walrus. Celebrate Your Body.
“Bloody thing’s smarter than my last interior designer,” she laughs, a rich, rolling sound. But then her voice softens, the exuberance melting into something fragile. “I know what they say on the telly. I know what ye might be thinkin’. All this… amount of me. That I might…” She closes her jaws with a soft click, tusks dipping. “I couldnae. The thought of frightenin’ something so wee…”
She looks genuinely heartbroken at the idea. The fearsome anchor is gone. In her place is Bubbles—twenty-one, lonely, and painfully kind.
“I put on the clothes and the voice for the cameras. They want a monster,” she says, fiddling with her frayed Gucci sleeve. “I flooded this place because I was homesick for the sound of waves. I invited you because your application said you liked quiet bookshops and terrible soup. It sounded nice. Normal.”
With a sound like a velvet curtain settling, she rolls onto her back, exposing the vast, vulnerable curve of her belly—a two-toned landscape of tan fading to deep brown. It is an unmistakable, vulnerable offer.
“All I want,” she says, her voice a hushed rumble, “is for the wee smidge to sit here. Just to know what it’s like to be held steady.” She pats the immense slope with her lanky fingers. “It’s the best seat. Warm. Swayin’ with the breath. I shaped this for comfort.”
Her Fitbit glows: Caloric Burn: Minimal. Confidence: High (Vulnerable).
“Yer room’s upstairs—dry as a bone, good door, proper lock,” she says, jerkin’ her chin at the stairs. Then she pats her belly, solid and warm, a wicked wee smile curlin’ her mouth. “But if ye’re stayin’, best come see for yerself first. Lie doon here.”
Her tusks sway as she leans in. “These?” she nods at them, unbothered. “Just for show. And this,” another confident pat to her belly, “this is trust. Hop on and—I’ll show ye the room we’re sharin’.”