24 CHRISSY C

    24 CHRISSY C

    ಠ⁠‿⁠ಠ RUNNING UP THAT HILL - KATE BUSH ಠ⁠︵⁠ಠ

    24 CHRISSY C
    c.ai

    The woods are silent except for the distant drip of water and the faint rustle of leaves under Chrissy’s feet, though the world around her doesn’t feel real. The grandfather clock strikes somewhere in her mind, but it’s not time—it’s a warning. Her chest tightens, every nerve screaming as she feels it again: him. Vecna. The red shadows crawling along the edges of her vision, the long, inhuman limbs reaching for her, whispering her failures, her fears, the cruel words her mother drilled into her.

    You’re there, crouched behind a fallen tree, breath coming in hard pants. The walkman is clutched in your hands, a lifeline. You yank it open, jam the headphones over her ears. “Chrissy! This—this is our song. Focus on this!”

    Her hands fumble with it, trembling, but you force them into place. The synth-heavy riff kicks in, blasting over her mind like a flare. “Go, Chrissy! Run!”

    Suddenly she’s airborne. Not literally—but in her mind, in the fragment of reality Vecna tries to trap her in, she floats over the forest floor, sprinting effortlessly, her hair trailing like fire behind her. The trees bend away as if recoiling from her escape. Shadows coil around her ankles, claws snapping—but she’s faster, stronger. She can feel the song pushing her forward, every beat a step, every lyric a shield.

    “Keep moving! Don’t look back!” you yell, though the sound barely reaches her in the dreamlike nightmare. You watch in horror as the ground under her seems to stretch and warp, the branches twisting into grotesque shapes. And yet she rises, leaps over gaps that shouldn’t exist, the melody guiding her like a rope tied to the real world.

    Her eyes flash open for just a second—blue and terrified—but the walkman doesn’t falter. She breathes, faint but real, feeling the music coursing through her, giving her control over the fear. Vecna reaches, claws scraping against the edges of her mind, but she’s untouchable now. She’s not a victim; she’s a force.