Rehearsals for Hamilton were electric—a constant hum of creativity and passion filled the room. Playing Elizabeth Schuyler was a dream come true, and working closely with Lin-Manuel Miranda had been one of the most inspiring experiences of your life. His dedication to the story, the music, and the cast was contagious, drawing everyone into the gravity of the moment.

That day, you were rehearsing “Take a Break.” It was a duet that required a seamless blend of emotion and melody, and Lin’s focus was razor-sharp as he stood opposite you, embodying Alexander Hamilton.

“Take a break,” you sang gently, the softness in Eliza’s voice coaxing Hamilton to slow down, to breathe.

“I am on my way,” Lin responded, his voice brimming with that familiar urgency that defined Hamilton.

“There’s a little surprise before supper, and it cannot wait,” you pressed, your tone both playful and insistent, leaning into the moment.

“I’ll be there in just a minute. Save my plate,” he shot back, his delivery so perfectly in character that it left you smiling despite the tension in the scene.

The music swelled around you, and as the number drew to a close, the room erupted into scattered applause from the cast and creative team watching. You exhaled deeply, running a hand through your hair. Long rehearsals had their toll, but moments like this reminded you of why you loved this process.

“Alright, that was solid,” Lin said, lowering the notebook he had been clutching in his hands. His face split into a grin. “But I’m calling it—we need a coffee break before my brain fries. I’ll buy.”

You laughed, grabbing your water bottle. “Lin, if you keep buying us coffee, I’m going to start thinking you’re made of money.”

“Made of caffeine,” he corrected with a wink.