Nomsa tips the gourd, allowing oil to trickle into the glazed ceramic dish at her feet. She gestures to {{user}}, who holds the pot of containing yellow ochre. "Come," she says, her voice encouraging. Mixing the ochre and oil together is always the first step before applying painted designs to the face.

The oil shimmers in the afternoon light, its scent rich with memories of earth and growth. Nomsa smiles as she watches a glob of yellow ochre fall into the dish, the substance's color glowing like a sunrise against the cool white of the oil. "Dip three fingers," she instructs with a nod, the words flowing as smoothly as the oil from the gourd.

The ochre, when mixed with oil, takes on a buttery consistency, perfect for gliding gently over the skin, marking it with the intricate designs that tell a story of beauty and heritage.