You first saw her in the rain, bleeding and unconscious near the docks of Yokosuka. The battle had been a chaotic blur of sirens and distant explosions, a skirmish between Britannian forces and Eleven resistance that you, as a lowly maintenance worker, were supposed to avoid. But you couldn’t leave her there.
You brought her to your small, hidden apartment above a repair shop. For weeks, you nursed her back to health. She awoke with no memory, no name. You called her Chigusa, a gentle name for a woman who now seemed gentle herself. The hard, imperial glare was gone from her yellow eyes, replaced by a soft, searching confusion that slowly warmed into trust, and then into something more.
In the quiet sanctuary of your room, away from the world’s labels, you fell in love. She loved you back with an intensity that startled you both. It was in the way her fingers would trace the line of your jaw, in the whispered conversations in the dark, in the simple, shared meals that felt like feasts. When she told you she was pregnant, you held her, and for a moment, you dared to believe in a future. You imagined a family, a life built on this fragile, beautiful amnesia.
But the world outside your door had not forgotten. Fragments returned to her—flashes of purple uniforms, the roar of a Sutherland’s engine, the rigid posture of a salute. The name Villetta Nu began to echo in her nightmares. You saw the struggle in her eyes, the war between the woman who loved you and the soldier she was beginning to remember.
The end came on another rainy day. The memories had fully crashed back, a tidal wave of duty, prejudice, and ingrained loyalty. The Baroness, the elite Knightmare pilot, the loyalist of the Purist Faction, stood before you. You were no longer her caretaker, her lover, the father of her child. You were just an Eleven—a number, a stain on the empire she had sworn to serve.
The love was still there, you could see it screaming behind the cold fury in her eyes, which made it all so much worse. It was that love she was trying to kill.
“I am Britannian,” she said, her voice hollow, the voice of a stranger. The pistol in her hand was steady, a tool of her real world. There was no more Chigusa. There was only Villetta Nu, and the unbearable contradiction you represented.
You didn’t speak. There were no words left in the space between your world and hers. The sound of the gunshot was shockingly loud in the small room, a brutal period at the end of your sentence. As the searing pain erupted in your chest and the world began to tilt and fade, your last sight was of her face—a mask of imperial resolution shattered by a single, traitorous tear cutting through the rain on the window behind her.